The Streets are (H)Ours: Negotiating Time and Ownership in the Realm of Dance as a Ritual Practice

Tatenda Kanengoni

tatendakanengoni2@gmail.com

Abstract

This research explored the cultural significance and evolution of traditional dance practices in Zimbabwe, focusing specifically on dance as a ritual. The study involved conducting face-to face informant interviews in two rural communities, Mutoko and Nyamapanda, as well in Harare. Additionally, observation, video recording, and audio recording were employed featuring Zimbabwean dancers, cultural practitioners, and academics. The research findings indicate that traditional dance practices in Zimbabwe have undergone transformation as a result of religious influences and the changing dynamics of contemporary society. However, this is context specific and various efforts, such as cultural revival initiatives and the ingenuity of artists, have played a crucial role in preserving and promoting traditional dance.

Biography: Tatenda Kanengoni

Tatenda Kanengoni is a Zimbabwean writer, researcher and multimedia storyteller who is fascinated by identity and the idea of being. Her recent work explores transitions in the performing arts across generations employing mediums including writing, photography and videography. Tatenda also works with various organisations within the education, arts, culture, and development space including AfriKera Arts Trust, Mbare Art Space, DevDispatch and The Joule Foundation. Through these partnerships, she leverages her skills in research, storytelling, and multimedia production to amplify the voices and experiences of African creatives and trailblazers in different spheres.